[…] would cut to political activists beating up women and doing all sorts of things. (TIME 58.11)DARROL BLAKE: Did you follow the project through to the editing anddubbing, and ...?RENÉE GLYNNE: No, no. I turned up at the editing and dubbing but I didn’t doall the filming because thereby hangs a very i[…]
Interviewed by Andrew Dawson, University of Greenwich, 24 August 2010 Roy, before we actually get started on the interview can you give me your date of birth please? It was the tenth of March 1927. Okay. You’re one of the founders of The ACT BECTU History Proje[…]
[…]I did that. Was it? That was just my epiphany. It was like getting my hands on the kit, learning how to operate it, and directing little sequence and editing it and on a steam bag and all of that was just like, This is what I've got to do. And suddenly realized that that my talent was for was wasn't[…]
[…]ograph Technicians – the trade union. DS] allowed you to move between departments. A kind of distant cousin of mine, Peter Hunt was…DB: An editor.PM: Editing The Man Who Watched the Trains Go By, with Claude Rains, and he got me a job on that, helping him out, carrying cans of film and doing a bit o[…]
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This transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretati[…]
[…] £11 per week moved to Granada land to flat.First jobmaking trailers for TV. Had to be explained what video tape was. 2 inch Videotape he used in the editing and in colour.Anecdote about Ena Sharples of Coronation Street 1968. Tell us of journey from presentation assistant to producer? Boarded by Th[…]
