[…]s introduced to - this is very strange you've cued me into this - was having lunch with my father and David Lean, who I don't know if[?] he was still editing. He was very impressive. Impressive to me in a great big teddy bear overcoat with a belt you put around. He looked very much the, my imagined […]
[…]He was. Very helpful. And subsequently I got to know them both very well. Nothing much happened. Except that Arthur got hold of Peter Brinson who was editing "Films & Filmingw at the time. And Peter wrote to me and said "Would you like to write?" Incidentally during my "university days" I was do[…]
[…]phen Peet 31:59 Now, what about Mary Field? Didn't she give you some kind of chance was it was it with her that you did your first bit of editing?Alan Izod 32:07 Yes, the first editing job I was actually given to do was to work as an assistant to Mary Field again, initially, […]
[…]es surely.Stephen Peet: Because there were two...I understand that two films were made, Spanish ABC and Behind the Spanish Lines. There's a kind of crediting in the history books that they were supervised by Ivor Montagu for the Progressive Film Institute. And Thorold Dickinson directed Spanish ABC,[…]
[…] Except that Arthur got hold of Peter Brinson who was editing "Films & Filming w at the time. And Peter […]
[…]ee at school and and they had, they had a very small sound department where they had a recording room with just one or two channels, and they had one editing room, and they used to employ people, just on a kind of freelance basis, apart from the very few people that were there permanently. But one o[…]
