Search Results for: Editing
Una Bart (Jennings)
[…]l finally it folded and he just stopped, and that was the last I worked Sammy Going South, I did a bit of work in the cutting rooms and typing in the editing with Mary Kestle, doing the post production scripts, and she wanted some help so I went did some typing for her.SC: Of course a point to Roy t[…]
Godfrey Jennison
TranscriptBEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the conte[…]
Brian Shemmings
[…]s spent going from department to department. You might have say three months in editing three months in Canberra three months and sound a couple of months in pr[…]
Angela Allen
[…]ooms and you could see things and erm watch it change, which I’ve always found fascinating I mean I think now really I probably should have gone into editing that’s erm… the most fascinating. It’s rewarding because you can change things and make it look proper. I don’t know I mean it’s difficult now[…]
Adam Dawson
Adam Dawson Side 1 Roy Fowler 0:00 The copyright of the following recording is vested in the ACTT History Project. The day is July 5th 1990. The subject of the interview is Adam Dawson and the interviewer is Roy Fowler, and we're at ACTT at 111 Wardour Street.&n[…]
Kenneth Griffith
[…]cate important, worthwhile points of view is a tremendous privilege. But I do think to have a job in the sound department, the camera department, the editing department, the actors, the producers, the directors, tremendous privilege. And if we once begin to rely on anything except our enthusiasm, an[…]
