Ann Turner

[…]And I remember going down there with John Rhodes. And as our film man can't move around a menu. We had all sorts of editors, I suppose not do his own editing. I can't remember. No, he would. He wrote his memos. WouldAlan Lawson  18:29  you remember? He might have been Bob Verrall?Ann Turne[…]

Lindsay Anderson

[…]ave a double booking because I was researching an article on Hitchcock for Sequence and Karel was doing some sort of research for his book about film editing.Norman Swallow: He mentioned the book.Lindsay Anderson: Well we found that we had both double booked onto the Moviola so he watched my Hitchco[…]

Bill Mason

[…]before, I played with my 16mm and we shot at Cambridge, we came back with this mass of film. I said what do we do now. Geoffrey said you better start editing it. I said how do you edit. Playing it a bit simple, he wasn't to know I'd played with 9.5, I realised later I'd probably done more editing th[…]

Peter Graham Scott

[…] he was…oh, you had better put that together. Y’know, but the chance was wonderful, to try to edit a sequence. And he showed me a lot of things about editing I didn’t know. And er…so by the time I’d been there for two years, and again, I was travelling by bus, (and the bombs were going off) to Merto[…]

John Mackay

[…]niversity? R: Yeah. I: And got involved with the student newspaper? R: I did. I worked, even before that I was doing school magazines. Editing school magazines. I went to Glasgow University, did a course that I thought would lead into journalism but my main priority at University was […]

Frances Cockburn

[…] I don't think I ever understood all the time that I was with GBI. Really what we were supposed to be doing, because the whole process of filming and editing seem to be so haphazard. There were no rules to follow. Because going to a feature still going and going into Ealing that changed miraculously[…]
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