Daphne Shadwell

[…]ent along by doing more. And then the editors, good editors we had, very good film editors, I was extremely lucky, I’d learnt such a lot in editing of course, as everybody does in filming, and enjoyed the editing, that’s what surprised me. I thought that I would be too impatient – I’m[…]

Sydney Samuelson

[…]ember as a perhaps five or six years old and being taken to the studio and my father was directing, he was also producing, and he must have also been editing because he had, if you can believe it, film round his neck and00:01:25 00:02:33that was nitrate stock and er he must have been making Quo[…]

Winston (Wyn) Ryder

[…]use.RF: Villas. Still is.WR: Yes. I wouldn’t – I can’t remember that. But Ernie Palmer had worked in this studio as a boy. This is nothing to do with editing, but he said that he held the film while they put a drawing pin in the end of it and turned a handle on a great big wooden slatted drum and un[…]

BEHP 0721 T NORMAN J

[…] place. So, that was another opportunity. Obviously , I knew editing on an amateur ’s point but to start learning […]

Cy Young transcript

[…] always wanted to be in film making you know film editing directing or whatever. And so I actually resigned I […]

MEO, ANN BECTU copy

[…] in sound, in radio, I did a tremendous lot of editing and mucking about with tape and everything went round, […]

Barrie Merritt

[…]ny?Speaker 2  20:50  Yeah, there was a few. There was a few other people, I'm just saying future things in the business. There was the film editing side was was run by a woman called Nancy Treadwell, which I think her name went back in the company. And she had a young trainee, who was part[…]

Norman J Warren

[…] who you mayknow of, a man called Antony Balch who had left and so I more or less took his place. So, that was another opportunity. Obviously, I knew editing on an amateur’s point butto start learning it on a professional level and working with 35mm, of course, was a great bonus.MARTIN SHEFFIELD:&nb[…]
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