Search Results for: Editor

[…]son we got it was because we said we were wasting tapes, and we ought to be able to join bits together. "Good idea. Saves money." So we got our first editor! Anyway, we weren't allowed to edit, which meant that directors and producers had to be the old time TV type directors who knew all about telev[…]

[…]write quiz questions.  [laughter]  Oh!  There was a frightfully nice boy called Francis Celoria doing it and he’d been the archaeology editor – why they chose him, God knows – he’d been the archaeology editor of the Encyclopaedia Britannica and he’d just been fired into this seat, you[…]

[…] - I remember - quite a well-known picture - '77 Park Lane' was made there. A host of stuff. That's where I met Mickey Powell you see. Because he was editor I think, to start with, and then he 'shacked up' with a man called Jerry Jackson who had some American connections and they made quota films to[…]

[…]from the script what the end product was going to look like. And I imagine it must have been, well, obviously, it was an interesting exercise for the editors getting that right, but did it present you with any problems – all that slow motion stuff – perhaps it didn’t?DW: No, well one of the things t[…]

[…]es, and read your manual and had to borrow a pair of trousers here, jacket there and whatnot. And they shot this and they and they got a professional editor to work with them overnight, they made a speech, Mark made a speech at this function, which is far better than the Evening Standard managing di[…]

[…]next thing we knew, everybody was coming into this unit. So instead of being a one man Film Unit, there I was surrounded by Carol Reed, Ray Pitt, the editor, Thorold Dickinson of course, and all sorts of people Tilly Day, Angela Martelli, Tubby of course was there, and Peter Ustinov. He used to come[…]