[…]he periphery.Martin Spence 1:42:57 And working with other people, I mean, do you have regular, you talked about some of the commissioning editors and producers you've worked with, are there regular collaborators. I mean, at whatever level, whether we're talking about producers, or writer[…]
[…]alled Robin Stringer, who was then the media correspondent for The Standard. And then there was a guy with him, Brian Attwood, who ended up being the editor of The Stage. And I said to them, “This is going to be the biggest thing that hit the West End. My members are rattling their cages. Can't wait[…]
[…] them. My mother to occupy herself has always been adressmaker and she had a client from Welwyn Studios who was called Kay Lever and was the Scenario Editor and one evening she saw this enthusiastic, bouncing, sixteen-year old. She actually was bi-sexual, but I mean that wasn’t the reason orany[…]
[…]finished a sentence but an absolute key man in, in the history of the industry in the Thirties. It was Harry Miller who was the first serious dubbing editor, the first man actually who created soundtracks in this country, mm… So were people who had, were interviewers encouraged to do their own,[…]
[…]after two years? NEVILLE WORTMAN: I came out of National Service and at that time the BBC … it was all in black and white of course … the editor of a local newspaper had got a contract to do short stories on television and so I illustrated those. I did some illustrations for televi[…]
