[…]oundtracks recording and all those sort of things and naturally they don't know you're new to the job or not. You know when you talk to produce or an editor. And you have to sort of feel your way it was a bit rough at first. And I began to wonder whether I had you know done the right thing. But I th[…]
[…]ople, but mostly at that time it was writing, you know, I was doing...PdN: And editing.And editing. No, no, that was after the second one I became an editor, I went to the CoalBoard and that’s where I obviously met Ralph Elton, and he produced, Rodney Gieslerdirected and I edited, we made a sort of […]
[…]ere was a similar mark by a picture called "Undercover" which Duncan Sutherland did. I know you had nothing to do with that because I was supervising Editor on it.EC: Well I have always liked Duncan. I have always had a soft spot for Duncan.SC: And the last thing was a mark against Alan Withy on a f[…]
[…]s very easy because everything since my breakthrough in Mother Courage, on film, everything on television is now on film, or made for film, with some editor editing all the good bits together. One couldn't do that while it was live. One had to rehearse outside the studio without cameras for three we[…]
[…]f the critics loved it except the Mirror whi ch said it was flogging a dead horse. And then the critic again apologised to me afterwards, he said his editor said he had to say that. Knocking the BBC, * Gretchen Franklin_ can't praise the BBC, knock them, something like that. Anyway according to Denn[…]
[…]'s situation being what it was then, he was still looking for a job, took him about a year to find a decent job. Finally, he got it... exchange, City Editor of the Exchange Telegraph Company, and remained that ever since the rest of his life. But that took some while. Meanwhile, they couldn't quite […]
