[…]istice Day of 1929. And then of course, Paramount and eventually, after a very long period, quite a long period, Pathe decided to go sound. But their editor, who was Henry Sanders, he was very dubious about sound, he thought it was just a wonder, and would fade away.Ralph Bond: A lot of other people[…]
[…]p;of the various stock. It was done on a single one.Original negative taken and put through. If the editor decided he wanted a fade in, that piece of original negative was put in this little mach[…]
[…].Sid Cole: The amazing thing you were telling me is that so many of them now have connections with the film business.Betty Bachelor: Michael was film editor at Pinewood and he worked on No Hiding Place and Carry on Films for Gerald Thomas, then he met his ex-wife Joyce and he went to work for differ[…]
[…]ith Ted Black of course, Ted Black was there. Isidore was the, sort of, financial genius as far as I remember. And Harry was supposed to be his story editor and he was a bit of a buffoon! Roy Fowler: Yes, it was a sinecure for him? Andy Worker: Yeah. Roy Fowler: For the other two? Is[…]
[…]d propman or not, I was just trying to be helpful and let's get on so we can get this scene in before the break.Roy Fowler: Harry Miller, the dubbing editor, I was telling you about how he said if the picture bulb blew on a movieola the studio electrician had to come and replace it whereas if the bu[…]
[…]as going to be done for for America. And they sent all the crew over, with exception of camera crew from America. I did the pilot. They even took the editor back to America with them, in case it had to be altered. But it didn't take. And I know the reason they had a young artist in it who had to sin[…]
[…]meraman, the operator, anyone should see the faults, and the fact they creep in sometimes isn't because they've been filmed wrongly - but because the editor, when he comes to edit the film, picks the take, just the wrong second or two of the wrong take, and I don't think they think... I don't think […]
[…]bout the Battle of Britain in fact...Roy Fowler: The Spitfire.Sidney Cole: Spitfire.Tom Peacock: Oh was it? Well now...Sidney Cole: Because I was the editor on it.Tom Peacock: I'm trying to get hold of Robert Newton.Sidney Cole: Yeah, well Robert Newton yes, but he wasn't on First of the Few.Tom Pea[…]
[…], youUnknown Speaker 32:05 in fact, when he wasUnknown Speaker 32:09 all the time, he wasUnknown Speaker 32:12 an editor, yeah, I wasUnknown Speaker 32:16 an operator,Unknown Speaker 32:19 and when he took on directing.Unknown Speaker […]
[…]. And I'd take it back to this teeny weeny little cutting room, do a rough assembly, show it to the department and if they okayed it then we hired an editor to come in and to really work on the thing and to put it into correct shape. That went on for just over about 15 months and then there was a ch[…]
