[…] our industry over the last 90 years.  There are DoPs, film editors, hair and makeup artists, actors, projectionists, matte artists, writers, […]
[…] regularly receives from the Cinema Veterans’ magazine The Veteran and its Editor Allan Eyles. Interviews are currently being re-indexed and compiled into […]
[…]e went out on April the 10th. Earliest Madeline Smith 1:45:31 Yep. Well, we only finished the filming end of March. So the editor, my salon sniff, sip, sip, sip, sip, sip, sip, sip, sip, sip, sip, sip, sip, sip sip, Mike Dick 1:45:42 obviously wo[…]
[…]and and, and and Kevin wanted me to actually do, but I didn't really understand what it was I sort of repeated it parrot fashion and left it with the editors and hope that they will be able to do too. But yeah, so that was I didn't really understand the processes and but then after that they had sho[…]
[…]a Saturday night. I would also go to the ritzy on a Sunday, because I stayed at somebody's flat nearby in Brixton and Pat Foster, who had been a film editor and who wanted to run his own cinema had started up the Red Sea. It was all very laid back. He's an old hippie, it was all very relaxed and so […]
[…] cameraman from London, he'd worked on loss of the summer wine and a lot of these big programmes, and he was in there, especially hay, who had been a editor on local, middle and state. And so he was another one. And there was Christian Gold, who was Bush House, and he was there as a producer, and th[…]
[…]wn Speaker 40:31 Paul coats Bates, Bill Bates.Unknown Speaker 40:35 I'm trying to remember because his son became a freelance editor. And we used him a lot at the news agency. Gordon.Unknown Speaker 40:44 Don't think it was ruled by us.Unknown Speaker 40:50 […]
[…]e thing like that, and suddenly it became a bit… there was thing with David Lean, they reckon, he was always held in awe because he started off as an editor, he was held in awe because they reckon he could edit a thousand-foot magazine, and do the splicing in ten minutes, and in those days, it used […]
[…]ar with it. Yes, I think Peter Watkins seeing that film and talking with Kevin Brownlow, because they were colleagues. Peter Watkins was an assistant editor for Kevin Brownlow for a few years. And I think that he preferred to work with somebody who wasn’t going to bring a lot of baggage of experienc[…]
[…]t back so there’s myself surrounded by all my Nigerian students and the Kodak Nigeria people [and back came the politically-correct response from the editor:] ‘which one is Alan Masson?’ [laughs]. So that photograph was actually published in Kodak [News and] it served its purpose because I [shortly][…]