[…]and this was the guy who owned and ran the Hollywood reporter, a brilliant man, brilliant wheeler dealer.RF: Did the advertising department influence editorial as far as you know.VG: Yes, it did. And when I was doing the London column from Grosvenor House, we took an office in Grosvenor House, in re[…]
[…]er: Ah hmm.Eddie Dryhurst: It was undoubtedly where Frank Capra got his start.Roy Fowler: Yes. What were you doing there?Eddie Dryhurst: I was a film editor then, or a cutter as they used to call us.Roy Fowler: Had you picked that up? I mean as a craft, you'd acquired that?Eddie Dryhurst: Well don't[…]
[…]den@btinternet.com.Alan Lawson 0:07 the copyright of this recording is vested in the back to history project. Noreen Ackland feature film editor, wife of Dick best an editor on file number eight. Interviewer Alan Lawson, recorded on the 16th of June 1994. Side onewell, knowing first, whe[…]
[…] COX SIDE 1.WAV [00:00:02.440] - Alan Lawson The copyright of this recording is vested in the Bectu History Project. Alfie Cox feature film editor. INTERVIEWER Alan Lawson with Syd Wilson recorded on the 18th of November 1992 side won.[00:00:29.680] - Alan Lawson I should have them on[…]
[…].Sidney Cole: A young Rex!Kay Mander: What on earth was it called at the last analysis? [N. B. Probably 'The Silent Battle'] Peter Bsasini[?] was the editor - that was why we had fish and chips, because they were making 'Chips' at the same time [laughs] at Denham - we were fish and they were chips!S[…]
[…]ht’. And he’d say ‘Well alright, well if we can't do it again we’ll forget it’, you see. And, and say well so and so is not right to you, to the editor, I've spoken to the director and he's said it's okay so, you know, that's it.Did you have any discussions about what used to be the famous thin[…]
[…] at the service. Roy Fowler: And Frank was a story editor was he not there? E.M. Smedley-Aston: No, he certainly […]
[…]brought up in Hornsea but her sister was Frank Launder's first wife. So that's really why I was at the service.Roy Fowler: And Frank was a story editor was he not there?E.M. Smedley-Aston: No, he certainly was not. No, Frank was then a very junior writer, or fairly junior writer. In Roy Bo[…]
[…]t's not only clever with his artist, but he's also very clever from the visual side. That's why whoever, because I worked with David Lean when he was editor and I was camera, says a camp operator, and I was impressed with his sort of mind. But then again, he is, you might say, the nearest to Fritz L[…]
[…] there was an awful lot of loss when he he died, because he wasn't a nice person, but we did. So that was my introduction to footsteps. Now the sound editor on that film in. Was Howard Lanning. And the next film that came in for footstepping was my introduction to Michael winner, and that was the ga[…]
