Graham Hartstone

[…]ver his notebook. And bearing in mind that nearly every picture had somebody who knew because it wasn't very long since that they were permanent cell editors, they're found in pictures, editors and they will the same guy, lesbians dawn sharp. We all knew each other, a very small community. So Dudley[…]

Vernon Sewell

[…] - I remember - quite a well-known picture - '77 Park Lane' was made there. A host of stuff. That's where I met Mickey Powell you see. Because he was editor I think, to start with, and then he 'shacked up' with a man called Jerry Jackson who had some American connections and they made quota films to[…]

John Dark

[…]ournalist. But the lack of the drinking took more time I think than the writing my grandfather was a rather eminent ecclesiastical writer. He was the editor of the Church Times and he wrote for the evening your regular column for the evening news by any claim. Families claim to fame was that we used[…]

David Prosser

[…]anager of Movietone, and a director in Fox -20th Century Fox - films, and eventually I think we got to see Tommy Scales, who gave me the job, who was editor of Movietone, through Sir Gordon Craig presumably, and this wasn't a push job, it was a question of, em....how really one needed relatives to b[…]

Mickey Hickey

[…] cinema again showing features! Tommy Cummins who was the chief editor. Bob Allen: He was at Paramount then, Tommy Cummins? […]

Alan Masson

[…]t back so there’s myself surrounded by all my Nigerian students and the Kodak Nigeria people [and back came the politically-correct response from the editor:] ‘which one is Alan Masson?’ [laughs]. So that photograph was actually published in Kodak [News and] it served its purpose because I [shortly][…]

Michael (Mickey) Hickey

[…]ut in charge and most of my time was spent now back [chuckles] as if I was back in the cinema again showing features! Tommy Cummins who was the chief editor.Bob Allen: He was at Paramount then, Tommy Cummins?Mickey Hickey: Tommy Cummins was our chief.Bob Allen: Yes, because I knew him when I worked […]

Lionel Banes

[…]as going to be done for for America. And they sent all the crew over, with exception of camera crew from America. I did the pilot. They even took the editor back to America with them, in case it had to be altered. But it didn't take. And I know the reason they had a young artist in it who had to sin[…]
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