Michael Aldridge

[…]that he got out of Film Unit. That was paramount. That was what it was all about. You were making programmes and making sure that the producer or the editor was pleased with the service that he was getting. When I left, the the main thing that was paramount was to make sure that the pennies matched […]

Richard Marden

Dave Robson  0:00  racter The subject is Richard Marden, documentary and Feature Film Editor. He has also worked in sound department interviewed by John Legard, the date is 17 to January 1996. This is side one, and it's file number 361.Alan Legard  0:29  Dick. Now, perhaps you co[…]

Harry Miller

BECTU History Project Interview with HARRY MILLER – sound, sound editorInterview Date(s): 23 October 1987, 12 September 1988Interview number: 20Interviewers: ROY FOWLER, ALAN LAWSON Tape 1, Side 1 ALAN LAWSON: This recording is copyright by the ACTT History Project.   Harry Miller dub[…]

Rebecca O\'Brien

[…]and Ken in particular. And the other thing I did when I was at university. I mean, I've always been one for extracurricular activities. And I was the editor of the college magazine when I was there. I was on the union exec, and as typical me, I just got involved in everything. And but I was also and[…]

Derek Threadgall

[…]st writing I was doing for magazines there was a magical filmmaking. And he was working with the publishers at the time Haymarket Publishing. And the editor of film making knew my background and he was trying to get the image of the magazine up. So he said how would you like do some heavyweight inte[…]

Gerald Chambers

[…]e been not at all. Happy as far as he was concerned, thisJohn P Hamilton  23:17  aggravated the situation because of the the influx then of editorial people as well. Not only did you have a producer, we had an editor and you had the several programme assistants responsible for the various […]

Val Guest

[…]and this was the guy who owned and ran the Hollywood reporter, a brilliant man, brilliant wheeler dealer.RF: Did the advertising department influence editorial as far as you know.VG: Yes, it did. And when I was doing the London column from Grosvenor House, we took an office in Grosvenor House, in re[…]

Dennis Kimbley

[…]es, and read your manual and had to borrow a pair of trousers here, jacket there and whatnot. And they shot this and they and they got a professional editor to work with them overnight, they made a speech, Mark made a speech at this function, which is far better than the Evening Standard managing di[…]

Bill Cotton

[…]es who don't know how to do the other side. Because it is easy to do news and current affairs, very easy to do it, you just keep booking people to be editors. Reporting news is just what it says it is, isn't it, you go out and you find out and you take whatever the news is. And it depends what, if t[…]
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