Search Results for: Editor Production Manager

[…] with David... Gordon McCallum : Wyn Ryder was the dubbing editor. Alan Lawson : Yes. Gordon McCallum : And I […]

[…]and and, and and Kevin wanted me to actually do, but I didn't really understand what it was I sort of repeated it parrot fashion and left it with the editors and hope that they will be able to do too. But yeah, so that was I didn't really understand the processes and but then after that they had sho[…]

[…]e went back in the company. And she had a young trainee, who was part of our young junior trainee group of friends called Colin Miller, who worked in editor know when, when he left, Pearl and Dean, he went on to work in the live action side of the business. And he became a sound engineer. And I've r[…]

[…]sn't at all - brought up in Devon mainly with parents who hadn'tbeen to university. So I think Oxford did it and there was a girl I knew who knew the editorof the I.T.N. news. And she said to him ‘Well I think this Jenny Izard would be to be OK as awoman reporter’. And so he said ‘well what's she li[…]

[…]I was doing digital in a very naive way. And if I hadn’t have done that I wouldn’t have got them all in one picture.  And in this book I did the editors, art directors and cinematographers and special effects.  And Johnny who was a man who did special effects.AP: Johnny Richardson?00.13.01[…]

[…] I hardly remember that one now. [laughter]But again, apart from that you were still contemporary designing weren’t you?Yes, yes I was.No big costume productions?Yes, no big costumes, no. And the first one I did on my own, eventually, I don’t knowhow I got it because after all, not many people knew […]

[…]t of them still around?Oh yes. When I finally went to Channel Four, this is quite funny, thirteen years ago, Mike Custer [ph 31:41] was arts features editor.SF: Yes, indeed he was.And he walked in, he walked past, I’d not met him. He walked past and, Naomi Sergeant, kind of paused him and said ‘Oh M[…]

[…]. Well, the first shot, I put the board in and, because in those days you put the board at the beginning and turned it upside down at the end, so the editor knew which was the start, which was the finish, and er...Anyway, all the numbers fell out, for start - That...that, you know, upset me a bit...[…]

[…]oundtracks recording and all those sort of things and naturally they don't know you're new to the job or not. You know when you talk to produce or an editor. And you have to sort of feel your way it was a bit rough at first. And I began to wonder whether I had you know done the right thing. But I th[…]