[…]also probably be able to do some of my film skills. There I met a chap called Aidar Kaulins as AI and d a r. Au Li ns, and found out that he had been editor of Worldwide films. So between us, we he was an officer. So he was interested, I was also in the film industry. So we decided wherever possible[…]
[…]nd.From that I went on to Black Narcissus as a camera operator, with Jack again lighting. The Derek Twist, who knew Micky and Emeric quite well as an editor, he knew Micky quite well, he wanted to direct, he got this story End of the River and Powell and Pressburger produced it. Derek wanted me to l[…]
[…] he was just fantastic. And he really was a commissioning editor who would fight our corner. He would go in […]
[…] there called John Jokenson,and Archie Ludsky who is a film editor, John Jokenson is a still photographer now. When I […]
[…]e thing like that, and suddenly it became a bit… there was thing with David Lean, they reckon, he was always held in awe because he started off as an editor, he was held in awe because they reckon he could edit a thousand-foot magazine, and do the splicing in ten minutes, and in those days, it used […]
[…]bsp; Anyway, it went out live. Apart from a bit of filming, you know, it was live. And the guy that lived next door to me was the showbiz editor at that time, later became editor of the Daily Mail, Peter Brittenden [Arthur Brittenden?] And he came to my door, knocked at my door and said […]
[…] just on the ball, were we just politically more aware than other people? But it got very very frustrating at times, because we’d go to commissioning editors and we’d say, ‘Look, there’s this issue that’s boiling and burning up, but it’s not right at the front of the agenda. Can we make a film about[…]
