Search Results for: Editor Production Manager

[…]CHARLES SMITH: Yes, of course. It was with a small cooperative unit called DATA, DATA Film Unit. And I was taken on, really, in the first place, as a production manager and accountant,  again because I could add up a row of figures, which not everybody can—although I wanted to be a technician.&[…]

[…]ost live action sound is done afterwards and stuck on. With us it weren't like that, that's why I was a bit annoyed when good old ACTT said that film editors in animation aren't paid the right rate. Well, that's because nobody seemed to know that they didn't do the same work as live action. They cer[…]

[…] had the opportunity to do something great. Guy goodness mentioned. ButSpeaker 1  28:16  you know, many more directors have come from being editors, in fact, haven't they? Well, they haveSpeaker 2  28:24  David. Well, he is here. He is the one who really, really has got something[…]

[…] always worked with a camera person, a sound person, an editor and so on, so this was not artisanal film, […]

[…] a bit annoyed when good old ACTT said that film editors in animation aren't paid the right rate. Well, that's […]

[…]s’ films but also we never aspired, probably very sensibly, to the technology ourselves. So we always worked with a camera person, a sound person, an editor and so on, so this was not artisanal film, it was very much a kind of old fashioned distribution of roles film. Peter, I think so far as I reme[…]