David Watkin

[…]from the script what the end product was going to look like. And I imagine it must have been, well, obviously, it was an interesting exercise for the editors getting that right, but did it present you with any problems – all that slow motion stuff – perhaps it didn’t?DW: No, well one of the things t[…]

Gerry Anstiss

[…]you get on with it. He's not a technical. No, no, no,Gerry Anstiss  32:48  technically, if he if he's not sure of anything, he calls in his editor. You know. I mean, IAlan Lawson  32:56  mean, there's quite a few directors that I've worked with who, whose whole attitude was that […]

Maurice Askew

[…]ields: He wasn't a bad bloke was Red Law was he?Maurice Askew: No, no...Jim Shields: Burns Red! [Chuckles]Maurice Askew: [Chuckles] Brilliant dubbing editor.Jim Shields: Ex Naval man, of course.Maurice Askew: Of course [Hulton?] was absolutely new you know, it had just been installed - it all worked[…]

Lew Grade

[…]he transition point. You were at the top of the tree in television in your programme mix that you were putting out in the UK, in American exports and production...Lew Grade : Yeah, but it was suitable for here, like 'Edward VII' that I made...Alan Sapper : Very good.Lew Grade : When I made it I had […]

BEHP Bulletin no 2 June 2020

[…] ten years. He moved to Channel 4 as Senior Commissioning Editor for Fiction from 1981 -90 and was responsible not […]

Bernard Vorhaus – HP0219

[…] the studio while she had a huddle with the script editor, and usually came back having sold an original story. […]
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