[…]ing like that and talking about rashes there too. In rashes, quite a lot of directors only allowed the lighting caravan of the director and maybe the editor, but artists will quite often not allowed into the into the theatre, the writers theatre and also the no other people these days you look aroun[…]
[…] could go in there to work as a trainee assistant editor actually , because just after I started with Dimitri […]
[…] primarily Richard Berkeley who was a... [35:03] Yes. A film editor, he used to, to look after those. And I […]
[…]ry exciting, but I've managed to make it exciting in my own little world. And when there wasn't anything going on in the dubbing theatre, some of the editors would ask me to help file their trims, which is usually just emptying the big bin of stuff that has been thrown there and try to wind it up ca[…]
[…]ry exciting, but I've managed to make it exciting in my own little world. And when there wasn't anything going on in the dubbing theatre, some of the editors would ask me to help file their trims, which is usually just emptying the big bin of stuff that has been thrown there and try to wind it up ca[…]
[…]life and your working life are pretty well, one in the same. You know who you were working with them. I was working with our Rubin, who was the story editor. And then he went back to the states and there was a, an Australian called Raymond boughs. And he was also very nice, very different. And then […]
[…]ir, they had the cutting rooms in the basement. [TIME 00.14.59] So, itwasn’t long before I could go in there to work as a trainee assistant editor actually, because just after I started with Dimitri there had been a young fellow, who you mayknow of, a man called Antony Balch who had left a[…]
[…]tting rooms with Gaumont-British Instructional, on the top floor of Lime Grove. And I made all the mistakes that you do when you're training to be an editor. Dropping the centre out of a roll of film and thinking all you've got to do is to rewind it, and ending up with the whole staff stretched down[…]
[…]t I met Dicky Attenborough there at the time. But no, I was working mostly in editing with Peter Baylis, who unfortunately died, he was a really good editor. And he was in the RAF Film Unit throughout the war, and again I learnt quite a bit about editing from him cutting.Rodney Giesler: And he went […]
[…]imon rose Date of Birth second, the third 1946 work mainly in television What else do you want to know? What areas and mostly sorry, mostly as a film editor? Although not entirely.Ian Noah 0:49 And was this for documentaries orSimon Rose 0:51 Yes. Again, mostly documentaries,[…]
