[…]ck biting. I mean, it was everybody very nice, very, very nice. It was a nice, clean business, actually, always, attrition between me and the fashion editor.Roy Fowler 18:47 Standards, standards. What I don't mean standards, standard of work. Oh, very high. Oh,Keith Ewart 18:56 &nb[…]
SIDNEY COLE, producer, director, editor, ACT pioneer, ACTT activist interviewed by Alan Lawsonc ACTT History Project 1987Tape 1 Side 1AL : Where and when viere you born?SC : I was born in Oakley St., Kennington not very far according to one report from where Charlie Chaplin was born. If the win[…]
[…] Dates: 6 August 1987 Interviewer: Roy Fowler Interviewee: Peter Tanner, Editor SIDE 1, TAPE 1 Roy Fowler: Peter when and […]
[…]he crew room stuff and the briefing in Target for Tonight. And that was my first experience of filmmaking.Rodney Giesler: And R.Q. McNaughton was the editor wasn't he?John Krish: Yes I think he was - it was either him or McAllister I'm not sure which. I in fact did not go into the cutting room becau[…]
[…].Sidney Cole: A young Rex!Kay Mander: What on earth was it called at the last analysis? [N. B. Probably 'The Silent Battle'] Peter Bsasini[?] was the editor - that was why we had fish and chips, because they were making 'Chips' at the same time [laughs] at Denham - we were fish and they were chips!S[…]
[…]erbal diarrhoea and a nice woman but not of what I might call an artistic bent. [LAUGHTER] Who else now, Peter Tanner was a very nice man, he was the editor who I gathered died recently. Roy Fowler 4:22 Well, I hadn't heard he died. Jonathan Balcon 4:[…]
[…]t we wanted to do. And that was to make it, it was going to be a report about a different subject every week. And Tony Jay was going to be the script editor as far as all his satirical comment was concerned, Tony Jay who wrote Yes minister Later. He was the script editor that side. I was appointed t[…]
[…]ybody. The people who were laying soundtracks were decidedly opposed to it in the beginning. They couldn't, as they said, See the mods. Skilled sound editors in those days were quite capable of looking at a soundtrack and forming a pretty good idea of what was on it just by looking at it. And certai[…]
[…]th September 1956 p.26] Again, we still don't want to lose faith with the Press. They were very good to us in Newcastle in the normal way. I rang the Editor up and he wouldn't listen to me. He said, "My man knows, he knows Whitley Bay." And so forth and so on. And I said, "Well I'm sorry you're quit[…]
