[…] of East Anglia) In December 1940, S G Rayment, the editor of the British trade publication the Kine Yearbook, noted […]
[…]er and died very sad, which left me with Phil's the day. So we moved into Henrietta Street. And there was just myself and we had an accountant, local editors, I think. And that's about all and I ran it, you know, and it was, it was fine. We were in Henrietta Street. And then we moved into West Stree[…]
[…]oundtracks recording and all those sort of things and naturally they don't know you're new to the job or not. You know when you talk to produce or an editor. And you have to sort of feel your way it was a bit rough at first. And I began to wonder whether I had you know done the right thing. But I th[…]
[…]en@btinternet.com.Sid Cole 0:00 The copyright of this recording is rested in the actt history project. Leslie Norman, film director, film editor, associate producer, and producer, interviewer Sid Cole recorded on the 22nd of January 1990.The Elstree Studios side one I suppose going[…]
[…] Cole: But I know David has mentioned you in the past. I didn't know if you actually knew him?Tilly Day: Yes, I knew him as a cutter, as an editor. He was on 'Matinee Idol' with George King.Alan Lawson: That was at Shepperton, wasn't it? That was...Tilly Day: No, 'Matinee Idol' w[…]
[…] Day: Yes, I knew him as a cutter, as an editor. He was on 'Matinee Idol' with George King. Alan […]
[…]lly stepped up? Drama? Yeah, I remember. I remember that because I'd worked with Nigel Finch, who was like a producer of arena. I think he was the CO editor of arena. I did a few weeks with Nigel. And he recommended me to Ruth Caleb, who was quite senior producerUnknown Speaker 17:31 at […]
[…]is in the film, and the MOD also laid on a landing craft and some Royal Marines for the D-Day stage and then all of this stuff was put together by an editor called Jonathan Gili. The film tells the story of a young soldier, played by an actor called Brian Stirner who gets his call-up papers, tr[…]
