[…]from the script what the end product was going to look like. And I imagine it must have been, well, obviously, it was an interesting exercise for the editors getting that right, but did it present you with any problems – all that slow motion stuff – perhaps it didn’t?DW: No, well one of the things t[…]
[…]Oh, if the if anyone sort of how would you feel? Donald Wilson 1:02People walk through my life? Would you say I'd say I'd say the Features Editor of the Glasgow daily. Daily Record is certainly one. Oh, David. Certainly because he published everything I wrote. When I was 19 years old. I d[…]
[…]meraman, the operator, anyone should see the faults, and the fact they creep in sometimes isn't because they've been filmed wrongly - but because the editor, when he comes to edit the film, picks the take, just the wrong second or two of the wrong take, and I don't think they think... I don't think […]
[…]. And I'd take it back to this teeny weeny little cutting room, do a rough assembly, show it to the department and if they okayed it then we hired an editor to come in and to really work on the thing and to put it into correct shape. That went on for just over about 15 months and then there was a ch[…]
[…] on the work of specific Film/TV Directors, pro ducers, 7 editors, cameramen etc, or specific aspects of film making. This […]
[…] don't go back to the long shot You know any Editor worth its salt would do that if you started […]
[…] the army. In 1952 he joined Technicolour as Assistant Assembly Editor working with the three matrices. This was suggested as […]
[…]ar with it. Yes, I think Peter Watkins seeing that film and talking with Kevin Brownlow, because they were colleagues. Peter Watkins was an assistant editor for Kevin Brownlow for a few years. And I think that he preferred to work with somebody who wasn’t going to bring a lot of baggage of experienc[…]
[…]t back so there’s myself surrounded by all my Nigerian students and the Kodak Nigeria people [and back came the politically-correct response from the editor:] ‘which one is Alan Masson?’ [laughs]. So that photograph was actually published in Kodak [News and] it served its purpose because I [shortly][…]
