Hugh Attwooll

[…] to have it as a Royal command performance. When we knew then, the Mudlark got it. And I think we were over at Shepperton and I think we had about 15 editors sound and picture editors trying to get the picture out. And Romulus we're going mad the money we were spending. But Al Lewin had the final sa[…]

Charles W. Smith

[…]ision necessary for a pair of stereoscopic images. We had to do quite a bit of optical correction, which was done in the Optical Department at Denham Laboratories, to get the images in perfect alignment where they’d slipped out. And so that camera had to be rebuilt on a more precise basis, which was[…]

Geoffrey Conway

[…]he department for film sensitising. Manny Yospa: At Hemel Hempsted Geoff Conway: The film processing and we did have an argument there, the laboratories, and we did win recognition there. It is difficult to recall all the details, there was a big programme on as far as we were concerned, t[…]

Adrian (Andy) Worker

[…]ith Ted Black of course, Ted Black was there. Isidore was the, sort of, financial genius as far as I remember. And Harry was supposed to be his story editor and he was a bit of a buffoon!  Roy Fowler: Yes, it was a sinecure for him? Andy Worker: Yeah. Roy Fowler: For the other two? Is[…]
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