[…] twenty -four channel mixing table, and I went to John's engineer and said, "Does it have to be twenty -four, […]
[…] and I wrote to a man called Wilson the chief engineer he was. And to my surprise and absolute delight […]
[…] So: in six years Dallas had progressed from humble wireless engineer to film producer and director, and by the mid-1930s […]
[…] this spec. I would suspect not even an experienced broadcast engineer could see on a monitor the difference between a […]
[…] started work in the 1940s he trained as an Electrical Engineer, but when the opportunity arose to move into the […]
There has been some debate in oral history circles about the merit of full transcriptions over key word summaries. Summaries may certainly be quicker, demand limited […]
[…] technicians, to performers, writers, directors, cinematographers, make - up artists, engineers and producers. The Project continues to be run by […]
[…]ferring it to something else. But tape was a real problem because the way formats changed and changed very quickly. Brian Jenkinson who was our video engineer at the time said “if it goes on like this you know they'll be changing formats halfway through making a programme”.MW: They probably did! [la[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]
[…]ller, who worked in editor know when, when he left, Pearl and Dean, he went on to work in the live action side of the business. And he became a sound engineer. And I've recently caught up with him. And his main thing he ended up doing, he worked on a lot of the Bond films. But he was a sound editor.[…]