[…]parallelwith you doing it here and we're now, sending over, we always had beensending a second print of rushes which I thought was just for the studioexecutives to see the rushes. Now I find that they're going to be cut.So I struggled with cutting and editing, with no help from the director,no guida[…]
[…]aw. When I did Oh, What a Lovely War, 1968, we showed it at the Plaza, I sat with Dickie Attenborough, it was a Paramount picture. The Paramount executive came to me and he said, 'Bill, this is the best colour print I've ever seen.' I said, 'Well, it's a very good print but ... I think we've to[…]
[…] Margaret Thomson’s interview; A new volunteer – Helen Hawken, an Executive Producer and writer who has worked mainly in broadcast […]
[…] ; A new volunteer – Hele n Hawken , an Executive Producer and writer who has worked mainly in broadcast […]
[…] the last 2 years. • Previous experience of managerial or executive decision making in other contexts – e.g. employment, other […]
[…] you feel we are now in Britain) you know with executives and lawyers and they always did that. But on […]
[…] make progress. Jim Whittell is a long-standing member of the executive committee of the British Cinema and Television Veterans. Promoting […]
[…] make progress. Jim Whittell is a long-standing member of the executive committee of the British Cinema and Television Veterans. Promoting […]
[…] involved. There were people like Elton John who was the executive producer who did have a certain amount flair I […]
[…] I think I wrote, and sometimes produce, Der ek was executive producer and Cenkalski produced and then I took over […]
