Derek Threadgall

[…] managers of all the pictures there were come to this meeting. With.SPEAKER: M17All the studio heads of department would be there turns out the chief executive are the chief electrician of property prop master and you'd have and they'd have a call sheet and they would tell us what they wanted for th[…]

Michael Colomb

Alan Lawson  0:05  The copyright of this recording is vested in the BECTU history project. Michael Colomb, BBC TV sound engineer, dubbing mixer and director of better sound of Endell Street interview. Alan Lawson, recorded on the 12th of June 1995. side one you know, first and foremost, wh[…]

Ann Turner

[…]ith the two researchers Robert McNab and Jack Plumb had one two. And the directors who were David Haycock and Michael and myself and the Dick Cawston executive producer, and it was Michael's decision to involve members of the royal family. Can I just stop a moment back? For that, I had to go in to t[…]

John Brabourne (Knatchbull)

[…]nd of experts that had absolutely wonderful stuff. I mean, never be got together again. I mean, it's it's a tragedy but and Richard Dan was the chief executive, rarely, rarely fortunate me really meant a lot to him. And it led sadly, just now in five years time is coming to an end. And he's built it[…]

Eileen Diss

[…]d of flooding the whole thing and oh no, sculpt it in fact, and he did have a20 Christopher Morahan (1929-) is a British director and production executive. From 1972-1976 he was Head of Plays for the BBC. wonderful idea for Vanya which was all the windows of the house which face […]

Edward Aneurin Williams

[…]ere was a good tooing and froing we had a number of composers organisations, there was the composers Guild, which I remembered of which worked on the executive committee for some time, there was the breakaway Association of Professional composers who were so fed up with. We're fed up with advisors, […]

Alexander Faris

ALEXANDER FARISComposer/conductorInterviewed by Teddy Darvas, with Alan Lawson recorded 21 February 1994Copyright of the recording invested in the BECTU History - ProjectSIDE 1, TAPE 1.TD: Can you tell us where you were born, your education, your youth and now you came into musicAlexander Faris: I w[…]

Rodney Giesler

[…]up. I was given two films on different processes: "Distillation" and "Cracking & Reforming." I worked to Denis Segaller with Douglas Gordon being executive producer. We had a technical adviser in Shell called Bill Prentice, who was a refinery engineer. Also a technical adviser called Martin Roge[…]
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