[…]d that was a big movie, Bridge On The River Kwai. I mean, you know, I was thinking when Freddie was talking about the the heaviness of the production executives, the old, but it goes all the way through because a production office now on a big movie, as you know, I mean, it's all increased so much t[…]
[…]ctor, which I'd been doing most all flows of Chrome. So I landed up in the strand, shell Film Unit, the famous shell Film Unit, with Arthur Elton, as executive producer and all the well known names Peter Norman villain, Dennis Gala. And I worked with a man called Ron Harris. Yes, where I, one of the[…]
[…] everywhere you can think of. And since then, that's that's all I've done nothing. Apart from. I come in here. We've got the Guild of film production executives, which is variety of odd, odd persons. We did. Thank you very much. I think my main claim to fame is we we produce enough, about 2500 pound[…]
[…] I was in the bath. You know, we had to have Ceylon baths to heal the wound. And she was sitting on the edge of the bath. And she says you're looking executive type. I said Far from it. I said, You'll never guess what my job is. And she tried and she tried. Well, I said, I'll give you a hint. I'm co[…]
[…]M. And they all sat down the hierarchy, all the PO faced to watch this. I don't think any of themwent to the pictures in those days. Probably several executives of the company, they're at the end of it. Donald got up and he said, Yes, very interested. And what was that for john? What What did we Wha[…]
[…] up on those, I think it was one of the Liberation's of British transport that we could work from transports rather, treatments rather than so called executive scripts, which rarely corresponded to the facts on the ground at the time.Unknown Speaker 32:52 Fair enough.John Hargreaves &nbs[…]
