[…] remember is er - oh when I was on the Executive Committee there was - I've forgotten the name of […]
[…] trained there. I worked with him, but he was an assistant art director, he was, he was Vincent’s assistant, that's […]
[…] with Dickie Attenborough, it was a Paramount picture. The Paramount executive came to me and he said, 'Bill, this is […]
[…]t half inch long dog end. And so they were all they were all redlined and then cut to I don't know how many years later when as a studio prime Masuda executive on one of my trips to Los Angeles. And during the studio rounds, I was in the Disney studio, and it is absolutely full of old photos roll do[…]
[…] a show that came out of WGBH in Boston, with a young producer there called Henry Becton, who I think ended up of managing director of WGBH, my chief executive. And they were they were sort of inspirational films that let us see that you could give public access and still make good programmes, inter[…]
[…]e thing was that, that you must know something about, because that, Bentley was going to get the studio, and Sidney Box was going to be brought in as executive producer, it was, everybody thought well he always shuts studios down. And...Well...When the battles started.Yes.What, what was, well I thin[…]
[…]doing it. And you've done a couple of series so you can probably get the money together. And I'll get help you to get the money if you if you are the executive producer and do it. So I then met Nigel Hulton, who had in fact got a contact through into China. And we went off Stephen Canes, Nigel Helto[…]
[…]n out of money and then there was trouble. So there's quite a lot of things going on there. Another thing I can remember is er - oh when I was on the Executive Committee there was - I've forgotten the name of the - another one of these sort of cheap-jack producers, and he didn't pay some of our memb[…]