[…]er and ideally positioned opposite the Odeon which from a plus side might not make me feel too lonely! Cinema Two, which I knew did not have a public exhibitions cinema license - the BFI got round this by making this the “members club cinema”- was very much like its original use as … a flat-level me[…]
[…]spective. And that is why, I suppose, when one thinks about this with hindsight, I might have been tipped to something which was more it's a bit more exhibition, bit more extrovert, toRoy Fowler 22:50 compensate, maybe aSpeaker 1 22:53 compensation. These things obviously not[…]
[…]t over left it with the original owner to run it. Very, very naïve. And within a few months I was asked to go over mainly to sort out the exhibition, the whole thing was a disaster, it was losing money everywhere.
00:33:45 And the ex-owner, a […]
[…] good stuff, Leonard Rosamund's(?) stuff, came out of that fireman's exhibition. So it was all in the atmosphere anyway, and […]
[…]n that. In fact, at one time, the books on architecture were the best-sellers. And that stuffy old organisation the RIBA was giving the most fabulous exhibitions. People were queuing round the block with all these wonderful slogans... The Better Britain was one of the big slogans during the war.Inte[…]
[…]ing]Roy Fowler: It must have been a very tinny, peculiar sound?Eddie Dryhurst: Rather tinny yeah, inevitably.Roy Fowler: What else do you remember of exhibition in those days?Eddie Dryhurst: Exhibition?Roy Fowler: Yes, how a cinema was run. Was there any element, as you saw it, of professionalism in[…]
[…] you're concerned he's good news. Should he have stayed in exhibition, should he have had a place in production in […]
[…] The Film Department distributed films and filmstrips for non theatrical exhibition throughout the United States. When the IWO’s position became […]
[…] was asked to go over, mainly to sort out the exhibition. The whole thing was a disaster, it was losing […]
