[…]ersonal terms of reference, have always or generally appealed to them. I've had hellish arguments in the fronts of shop fronts while doing industrial films in one city or another but it is generally resolved with an amicable understanding that I'm on their side, which I think I am. I hope so.C[…]
[…] thirteen or fourteen, and then my father would take us for a treat each school holidays, and sometimes the theatre, and then he started taking us to films. I mean, the first films I kind of remember were things like Lost Horizon.
Y es.
And, which to me was magical.
So, in your young teens […]
[…]sp;Well although we didn’t call our first interview the first one, with David Francis, this is our second interview with archivists from the National Film and Television Archive in the UK.The copyright in this recording is vested in the British Entertainment History Project and the name of the inter[…]
[…] this is our second interview with archivists from the National Film and Television Archive in the UK . The copyright […]
[…]sp;The copyright of this recording is vested in the BECTU history project. The subject is Michael Clark, producer, director and editor of documentary films interviewed by john legard. The date is 22, October 1993. This is side one. And the file number is 299.John Legard 0:37 Runnin[…]
[…]the navy, and eventually I went to a naval college at Pangbourne with the idea of going on from there. By the way, during my first term there I saw a film that had been made by a pupil who had left the previous term called Ken Russell. So I just missed being a contemporary of his. I was a contempora[…]
[…]or two years. And then fair of my second honour, mercifully, I went to art school. And that was really the beginning I think of of what brought me to film. Many questionsUnknown Speaker 3:54 as an actress,Paddy Carey 3:55 my mother was an actress and I think we joined her in […]
[…] the way, during my first term there I saw a film that had been made by a pupil who had […]
[…] and the last successful negotiation I ever had with a film company. From that point on itÔÇÖs been total disaster. […]
[…] I learned more at Pathé, I suppose, than I did at any other place, other than in television, because what I learned was the discipline of writing to film, two words a foot, and I learnt it in a very hard school, taught by two Fleet Street newspaper men, one called David [s.l. Cole 0:04:42], the oth[…]
