Search Results for: Film Editor

[…];Ostend and across in the vote. And um anyhow uh. When the war started the film industry of course virtually came to a standstill shooting at Cannon. I think&nb[…]

 This material is the copyright of the ACTT History Project, Daphne Anstey widow of Edgar, editor with the National Film Board of Canada under her maiden name, Lily, interviewers JohnLegard [JL] and Gloria Sachs [GS], recorded in her home, in Hampstead Garden Suburb, 3 May 1989. Recordist Alan […]

[…]terview with Barbara Emary, in her home, 5th July 1988Interviewer Bob AllenSIDE 1, TAPE 1BA : Perhaps you could tell us when you first ca me into the film industry, how you got interested in filmmaking, what lead you - into it.BE: The most interesting thing is that as a teenager I was all against fi[…]

[…] there. So I went to New York and became a film editor in New York for Standard Oil on a freelance […]

[…]n 1920, May, in Rugby in Warwickshire. And my father kept a photographic chemist's shop. And so we had, uh, sold cameras, and I served customers with films and loaded the cameras. [laughter] I was the boy for all the people who'd bought expensive cameras and then had to get a shop assistant to load […]

[…]dapest which was where all the journalists and actors and writers met and they owner of that cafe got a projector and put up a sheet and he had these film shows. And my father took Alex to see it and it seems, according to my father, that Alex said 'that is the thing for me' and that is when he got […]

[…] what was then called, television recording department which nowadays we call post-production. That encompassed videotape operations and telecine and film work and transmission and that sort of thing. So that’s the department I found myself in as much by luck as judgement and it’s where I stayed for[…]

[…]ddie Dryhurst: Yeah.Roy Fowler: Your family background, as I say, is documented, so why don't we start out with your first initial urgings to go into film and what films were like at that particular time, what made you feel that way about them?Eddie Dryhurst: Well we're going back to the First World[…]

[…]as they come along, Stan and come along. And after they went to the Savoy, and I remember Houston after the programme, talking about Orson Welles and filmmaking, till the wee small hours in hospitality and it was quite fascinating.Alan Lawson  13:33  We were We were in that I was returned […]