Search Results for: Film Editor

[…] of Humphries Laboratories, but still found time to produce a film for the Children’s Film Foundation. SUMMARY: In this interview, […]

[…] got into films? Bill Girdlestone: Well, I was the original film buff. I had a home cinema at about 12. […]

[…]History Project - Interview No. 101[Copyright BECTU]Transcription Date: Unknown - draft analytical transcription by Sarah Easen, British Universities Film and Video CouncilInterview Date: 1989-09-25Interviewer: Roy FowlerInterviewee: Norman FisherTape 1, Side 1Roy Fowler: Copyright of the following […]

[…]ry Project - Interview No. 17 [Copyright BECTU]Transcription Date: Unknown - draft analytical transcription by Sarah Easen, British Universities Film and Video CouncilInterview Date: 1987-09-16Interviewer: Roy FowlerInterviewee: Reg SuttonSound recordist: Taffy HainesTape 1, Side 1 Roy Fow[…]

[…] (1929), which Hitchcock later made into the first British feature film with synchronized sound. Other writing credits as a collaborator […]

[…] Unknown - draft analytical transcription by Sarah Easen, British Universities Film and Video Council Interview Date: 1989-09-25 Interviewer: Roy Fowler […]

[…] editor� we're now saying the editor of content not the film editor. Reg Sutton: Not film editor, no Roy Fowler: Do […]

[…]and she said “well well, in that case you can give up Italia Conti, you can go back to school and learn”, which I did. But I did get the odd parts in films, and it happened that when the film started, I was in 16, or shortly after then..and er…I was allowed to leave school, because I got all of the […]

[…]m room to room. And really, the whole thing clinched itself a mutual friend, David McCallum and he used to live in the homes with a brother who was a film editor, Douglas I've only didn't meet him very much. But he was the senior fire guard. Yes. And we live next door to the deputy Fire Guard who so[…]