[…]of September 1993, to Boscastle. Joe to begin with, can you can you tell me when you were born? Yes, I'll go on to describe how you came to be in the film industry.Joe Mendoza 0:22 So I was born 921 in southeast London.event, what date 29th of January, when the query and my family […]
[…]today. This is the voice of Paul Frith on the 8th June 2018. So, if we can start by talking a little bit about where your interest in film and photography developed and some of your background in cinematography.PS: Yes, well I was brought up with … from the beginning with photography[…]
[…]ting?VG: No.RF: Not even in school plays.VG: That came later in my teens when I went into, I went on stage to start with and then I did odd things in films for Warner Brothers and BIP [British International Pictures] and I worked a lot with Lupino Lane.RF: Just to wrap up on school did you have any […]
The copyright of this interview is vested in the BECTU History Project. LindsayAnderson, film director, theatre producer, interviewer Norman Swallow, recorded on 18 April, 1991SIDE 1Norman Swallow: First of all, when and where were you born?Lindsay Anderson: I was born on April 17th, 1923 in Bangalo[…]
[…] interview is vested in the BECTU History Project. Lindsay Anderson, film director, theatre producer, interviewer Norman Swallow, recorded on 18 […]
[…] i Someone gave me an introduction to basil, right? I forget who it was, and he received me very kindly, but he had no opening in his company realist films. Then, even, even then it was called realist films. He sent me across Oxford Street to strand films, where Paul Rosa was one of the producers, a[…]
[…] and never forgotten it. And because I couldn't get into the theatre I decided to try the people who'd made Night Mail. And I found out where the GPO Film Unit were, they were in Soho Square. So I went there and I was told they'd moved to Denham. And I got the name of the woman who was responsible f[…]
[…]ods. The Carmichaels are certainly Ian's family, and the Greenwoods are also tied up in some way with the Greenwoods that one comes up against in the film industry. We wrote on slates, and we learnt to read and all the rest - we learnt a little bit of French, and when I was seven my father was trans[…]
[…]and beauty in the theatre and doing the jolly things that weren't acting at work. So the war of a node that bargain and I had been very interested in films, which had been really one of the things although music was the principal here, and I'd also been very interested in films, I can remember produ[…]
