Sheelagh Reece DRAFT. Tape 1 Side AThis recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). (201[…]
[…]neer. Who came over from America magazine called Mac Ames now me to a young lad that was quite something I mean we'd seen.SPEAKER: F5Americans in the films and all that sort of thing. But here was a real live American with an American car which he brought over called a Chevrolet and that was an obje[…]
[…] AM Born in India in 1916, Maurice Askew entered the film industry in 1938, working for The Religious Film Society. […]
[…] Tubby you were saying was the cameraman. Who was the film editor do you remember? Yes, Chris, Chris was a very […]
[…]horst one. At that time I was finding people, going to see people, in Germany and in Britain, finding participants and I also started to do the film research and I remember my first visit to the Imperial War Museum and being absolutely fascinated by this film that was running … I hadn’t a clue[…]
[…]of recognisable memory and then went on with a touch of that. I mean, I was too young to actually regard Hope and Glory as a as a an autobiographical film, but I was seven at the end of the war. So it was very enjoyable, very enjoyable. Stephen Peet 4:06 So by the time the[…]
Alan Lawson 0:04 The copyright of this recording is vested in the BECTU history project. Jerry Anstiss, camera operator feature films. interviewers, Alan Lawson, and Sid Wilson, recorded on the first of September 1993. side onefirst and foremost, when and where were you born?Gerry Anstis[…]
