This recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). (2015).BECTU History Project Interview […]
[…] by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell […]
[…]ar and surface wear, so they had to be balanced. So it was a bit of a, you know, correctly, balanced. Do you rememberRoy Fowler 35:51 the film that was involved? Oh, I don't know. No, not the film, but it may well have been Don Juan or Don Juan. I imagine Don Juan being Warner Brothers.S[…]
[…]icy everything else passed in English failed at maths, you know, kind of thing eventually got enough to get through and decided that I wanted to be a film director Believe it or not. And I was living living Kingston at the time and I decided to run away runaway which I did by getting over 65 b[…]
[…] credit on Scott of the Antarctic (1948). Montagu’s career in film production ran parallel to his work as and film […]
[…] working initially in the theatre and subsequently on screen. Her film credits include The Citadel (1938) and Goodbye Mr Chips […]
[…] there and enthusiastic. He then went out to Hollywood and became a great lighting designer in Hollywood.Roy Fowler: Yes, he directed one or two films out there, didn't he?Joan Kemp-Welch: Yes and he died, oh, I suppose about twenty years ago, didn't he?Roy Fowler: I can't remember wh[…]
[…]ated transcription service, supplied by John Harwood and edited by David Sharp in 2019. The numbers in square brackets are timecodes. [Filming began outside]Interviewer: Jimmie King. David Woodward on camera.[TAPE 1] Jimmie King [JK]: If you’d like to introduce yourself Bob.[…]
