Search Results for: Film laboratories

[…]p;and Les move was put into independent television and I went across to feature films and I also took the old shot shorts and documentary branch or under my&nbs[…]

[…] Thus, this article intervenes in debates about gender within the film industry to demonstrate how women became essential to Britain’s […]

[…]neer. Who came over from America magazine called Mac Ames now me to a young lad that was quite something I mean we'd seen.SPEAKER: F5Americans in the films and all that sort of thing. But here was a real live American with an American car which he brought over called a Chevrolet and that was an obje[…]

[…]or 90 seconds. He has no important role and should be well left out. And in fact, usually is left out if you're doing it commercially. You they did a film 40 years ago, and they where they got Danny Kaye to do that, and now this person wants Paul McCartney. I couldn't do that, although that's the wa[…]

[…] London, just around the corner from what became the Gainsborough Film Studios (Islington) in Poole Street. He first visited the […]

[…]early, and it’s quite an interesting contrast just to dwell on for a moment. Left to themselves or without kind of political interventions most other film unions in the world have developed a guild structure because the only allegiance people feel, really feel, yes? is to the people who do the same […]

[…]ry Project - Interview No. 17 [Copyright BECTU]Transcription Date: Unknown - draft analytical transcription by Sarah Easen, British Universities Film and Video CouncilInterview Date: 1987-09-16Interviewer: Roy FowlerInterviewee: Reg SuttonSound recordist: Taffy HainesTape 1, Side 1 Roy Fow[…]

[…] Unknown - draft analytical transcription by Sarah Easen, British Universities Film and Video Council Interview Date: 1987-09-16 Interviewer: Roy Fowler […]