[…]bsp;as I loved selling things. That's possibly the connection of getting myself into films. But that was how it went onfor years and everybody, my brother, alas he&n[…]
[…]0 The copyright that this recording is vested in the British Entertainment History Project. The name of the interviewee is Madeline Smith; film, television and theatre actress and radio. The interviewer is Mike Dick, and John Luton is on camera. The interview number is seven two two and t[…]
[…] in 2015 by the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell […]
[…] get home during that time I somehow became interested in film. And I want to handle film on. And I […]
[…]e, he moved to London, Nick Gilbey 16:00 yes, because Bristol is, is such a large city, it was difficult, probably, to and film crews were sort of based in Bristol. I suppose they must have had people who could, but it would dominate the news in terms of output, I suppose,[…]
[…]ut on bioscope shows. Chris Strachan 2:32 That's absolutely right. Yes, they in the days between 1896 and 1909 This is how films were shown throughout most of the land. It was traveling showmen like Charles Thurston with their bioscopes on village greens and shows in villa[…]
This transcription was provided in 2015 by the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, Leeds University) and Dr Vicky Ball (Co-Investigator, De Montfort University).BECTU History Project Interview no: N/K Inter[…]
BECTU History Project Interview No 526.Mel Faber.Feature films: advertising and distribution.Interviewed by Brian Taylor and John Legard. 30.09.2003.Transcription by Allen Eyles, September 2007.INTERVIEW WITH MEL FABER FOR BECTU HISTORY PROJECTMF: I'm a Liverpudlian as you may gather from a problem […]
[…] by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell […]