Search Results for: Freelance Camera Supervisor

[…] lot of writing. = was actually doing quite well at freelance work and so on and the n five years […]

[…] Rank ‘Charm School’. During the 1950s Worker bec ame a freelance producer, working with figures such as Danny Angel & […]

[…], the ‘British in Berlin’ stand for the BFI and the Film Council [British Council? DS] and I did a lot of writing. I was actually doing quite well at freelance work and so on and then five years fled by and I did a lot of programming at other archives and cinematheques as well, and the BFI were very[…]

[…] then I mean I was so bored with being on The Avengers, I left and did a picture called Where’s Jack in Ireland, and that was my first freelance film. And then I did a very nice film with Robert Bolt, called Lady Caroline Lamb, which was a period film. And then I seemed to be stu[…]

[…]rate as that as far as period went.Suicidal, one would feel, I imagine.Yes. It was hard work, but it was absolutely fascinatingYou are operating as a freelance or do you have a company? Have you set yourself up?No, I’ve always operated as a freelance.Yes.I’ve just gone from job to job.I see, okay. T[…]

[…] nonissues. I went back to London and then I went freelance as an assistant and then after a year or […]

[…] Sheila Collins DRAFT Page 31 You are operating as a freelance or do you have a company? Have you set […]

[…]ial present” that all in the Press pack and Odeon staff unanimously agreed must be included and somehow we managed to pull it off. Tom Oxley, a local freelance photographer who regularly attended the Press Shows and was often engaged by the Odeon for Premiere photo-shoots, offered to create a “mock-[…]

[…] think of it at the time?CY I was aware that long out there again. I thought it was going to be dead nonissues. I went back to London and then I went freelance as an assistant and then after a year or so there's an out fit caslled Greengow?? an agency in Birmingham to service ATV. Do you have any re[…]

[…]tertenyearsIgot£50,Igot£1a year raise, they didn't pay very well.Roy Fowler: How did those rates compare.Peter Tanner: Badly to if I'd been freelance, I'd have got double, £100 a week.In those days a camera man was earning about £100 a week.p. 19Roy Fowler: Which of that trio of films[…]