[…]gement across patents and so on, and they may have had something to do with that. I shouldn't be surprised, because at that time, I remember going to General Electric, although General Electric was their company, and having meetings with people there, but I'm very vague now as to what it was all abo[…]
[…]other!" so he goes into his pocket, brings out his card, which he hands to Sid, who's the shop steward of ACTT and he's a member of the Transport and General Worker's Union who organised studio cameramen in Dublin. That, were you there when that...? I: No, I wasn't. With Sid coming to see you!&[…]
[…]at in when you were producing? Well, I think that'sSpeaker 1 12:59 the basis of it. Actually. We all had a feeling that, which I think in general, BBC drama, then was that drama reflected the world around you that it should actually hold a mirror up to nature. And therefore you had to lo[…]
[…]nd the place. And we doubled our box office that year. So I got, I got asked back. So I did three summers working at Edinburgh, in doing, doing, just generally doing the program. And then in the final year, I'd actually left uni, and I did, I worked as the press officer, or was sort of one of the tw[…]
[…]nbsp; BBC was odder – letter said I was too young for General Trainee, then offered job “as if” I was a GT. Pay was £975 pa, more than Guardian, so I took BBC job. 9.13 - &nbs[…]
[…] was obviously, he’d done things before he came to The BBC, as people did in those days.Yes, yes.They all had something to offer didn’t they?Was he a general trainee perhaps or, or because I worked with him…He, no...In open drama.That’s right.To direct the dramatisations. We did a programme called, […]
[…]nd it worked very well. Actually. It was good. It worked. It worked very well. But that was the ammonia after that. Of course, then facilities became generally hireable, didn't they? I mean, you hide in everything after that. Cameras always sort of thing.Glyn Jones 33:59 And what time di[…]
[…]was the background sound prophet of the kettle drum. The other two cameras in the studio were locked off on neutral background shots of Clive and his generals and the Indians and the rajas and all of that. And the montage sequence was, fade up. The flames, superimposed the capturing, war tracking. F[…]
