sidney-cole-transcript-1987

[…] few more pictures at Ealing and the went to British International Pictures at Elstree which is still there and still […]

Roger Moore’s Bond movies

[…] films, Live and Let Die, and The Man with the Golden Gun is mentioned by Sydney Samuelson (http://historyproject.org.uk/interview/sydney-samuelson) and Peggy […]

Industry websites

[…] sound and lighting technicians share their memories of the ‘ golden age’ of television at the BBC. www.tvstudiohistory.co.uk Unofficial history […]

Bernard Ponsonby

[…]ll of the programmes was the Referendum programme in September of 1997. We were broadcasting from a constructed studio in the bowels of the Edinburgh International Conference Centre because the declaration was being made upstairs and I was sitting with Bill Miller, who was the psephologist in those […]

Interview

[…]hat came out I think of the Leveson inquiry very powerfully from our NUJ colleagues is one of the reasons that there was a culture of hacking in News International was there was no independent voice to stand up because the NUJ would pretty much shut out of US International because of the Staff Assoc[…]

Roy Fowler

[…] for the union, it was ACT in those days, for the union journal which was called, in fact Sue’s just found a copy Don’t Let The Incinerator Claim Our Golden Age and inviting comments and contributions and an interest, a show of interest from other people. Well, in the initial documents that I have t[…]

Howard Lanning

[…]eak from your experienceHoward Lanning  38:03  being tuned for work with Topol who was in Fiddler on the Roof with in interesting, very pleasant, and what you see is what you get, I mean, he's charming man, lovely man. There was there was an English actor, and I'm talking about the 50s Eri[…]

Simon Rose

[…]o edit and three of three of us editing wanted us to carry on. So we moved up to Shepherds Bush to sort of part of the BBC shanty town houses and the Golden Road and Shepherds Bush place called Golden studios, and we have three little cutting rooms. And we carried on doing their life I think account[…]
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