Wendy Toye

[…]bout it now and I realise that Ludwig Berger was on it too. And the strange thing was that almost at the same time as that I was in a play called The Golden Toy at the Coliseum, a musical which Ninette de Valois had arranged the dances and I was the principle dancer with Freddie Franklyn whose now i[…]

Len Runkel

[…]t, I think yes, one that annoyed me with, with Les Austin Elli, whom I met the other day. Anyway, he, he was a very, very knowledgeable bloke. Leslie Oliver. He knew how to deal with people, and he was a pleasant man, and he was open handed, but there are some things he wouldn't listen to. I remembe[…]

Sheila Collins

[…]veryone still, there was still time, no-one was hanging about. But somehow there seemed to be a slightly more relaxed feeling about it.The end of the golden ages as we look back on them don’t we?I don’t think that’s just me saying I was young and so it all seemed like that.No, I think you’re right, […]

Chris Kelly

[…]ngs. But more more interesting was probably cry freedom. I probably did. Yeah, I think it was quite creative. I must admit, I did get nominated for a Golden real award on that. And we got a certificate didn't win it. However, but I enjoyed doing that. And again, it was very, it was fun, because you'[…]

Michael Houldey

[…]tep away to Channel Four. This was a big independent production, I said big because of the scope and scale of it. There was a musical on in Russia in Moscow, called Juno and a vos. It was extremely controversial because it told the story of a Russian count in the 19th century, who went on a trade mi[…]

Charles Potter

[…]sions and so on.Speaker 1  27:31  Yeah. I think the background to that was he'd form show familiar shell mix, not those opposed to show the international Yeah, and they were all permanent staff. And I think this really was, he was very conscious as a welfare of staff. And he thought, you k[…]
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