Search Results for: Golden Globe 1968 Oliver. Moscow International 1968 Oliver. Sant Jordi Awards 1968 Oliver

[…] good story about the importance of black culture in the West Indies and elsewhere on this country. And thatmovie was in the last three for the Focal Awards that year. And. So wedidn't get them gong but we got to the dinner. So that was nice. A good relationship with producerGary Hughes. And then we[…]

[…]p;      “The Magnificent Ambersons”00:22:45            “Castaway” and Oliver Reed00:23:40            Teddington Studios00:232:50      &[…]

[…]ver in an office, as it were, for the Benevolent Fund? I mean is there an office within the organization?Barry Quinton: Yes. The office is at 22 Golden Square in London. I worked from home down in Worthing. Interviewer: Right. I think we'll leave the ???? shows. I mean we'll get toget[…]

    Interview with Jim Whittell  Interviewee Sydney Samuelson 6th September 2010 [ROLL 1 – 6th September 2010] 00:00:02        Q:  We’re sitting here in Golders Green NW11, at my home, the interviewer, and we’re interviewing fo[…]

[…] ‘1st Love’ C441.20        Became head of Columbia Pictures, (which he hated)52.00        Awards and ambitions55.00        Union & BFPA58.00        BSkyB59.00   […]

[…]from America, someone in America, probably through Jeff Lynne, to ask if I would do an interview over the recording of that session which was done in 1968 which they regarded as having them started off as being a popular group, which later led on to ELO… didn’t it?.. or some of them.  But it wa[…]

[…]. Oh we’d had, you know, quite a lot of the stuff in France, yes.Yes, yes, but they had the money. Yes.[Laughter] True.Presumably because it was sold internationally, I, I don’t remember but... I suppose it probably was, I’m not quite sure. It wasn’t, I don’t think it was sold to America.Yes. But it[…]

[…]appy.I: Quite a glamorous filmJK: You came onto the set you could feel a sort of, they weren’t happy.I: It was quite a glamorous film though, lots of international namesJK: Yes, they got everybody into it. David Niven was in it because I seem to remember it was David Niven who was stroking my arm an[…]

The copyright of this interview lies with the British Entertainment History ProjectCornel  Lucas – Transcribed by Linda Marchant28/09/2005Copyright interview – BECTU history project - Interview number 543.Recording 15.05 (AP – anonymous person audience)Interviewer: Cornel we’re here at BECTU he[…]