[…]as split up for the print processor, you could replicate the system for what you’re getting on the grading machine with the customer sitting with the grader saying “I love that. Could you make that a little bit colder, make that look a bit greener here.” And within the context, of the ability within[…]
[…]ad stronger blues in the Eastmancolor. They were, kind of, the colours were much stronger.CM: But I mean, when you have a close relationship with the grader and the lab, you can almost fix any problem. There are certain problems you can’t fix, like cyan and magenta can be problems, but on the whole […]
[…] She never made any more than that.But I’ll tell you what, there weren’t a lot of men then who had done the job as well asshe did.She was a good grader, she was a grader. Yes, a Latin, a Latin.She was also a good organiser and she went in. Well I didn’t, I didn’t get locked out, Iwas a for[…]
[…]us operational people comprised the telecine department. Obviously there was all the support team and engineers but, as far as operational people and graders, there was five of us film and restoration specialists.CR: So when was that sorry, by that time?TE: By the time we finished at South Ruislip, […]
[…] to go back they always what to fix their mistakes. I mean, we have a pretty old staff – I mean I’m one of the younger people here honestly – and are grader worked from probably the beginning of the 80s, grading film prints and, you know, was around when a lot of these films were not faded and came […]
[…]re working correctly, and so on, although I work with them on policies for keeping and accessing film. But otherwise it’s the film lab teams, and the graders, and film conservation specialists who inspect, examine, compare, repair films.PF: OK so if we can go on to talk about A Man on a Beach, […]
[…] of colour negative and the impact on opticals; Technicolor had always used full-length for their opticals and were done in-house; PB became a colour grader when they were working on Eastmancolor at Denham using the 2 frame method – 2 frames cut out at the end of each scene after the first negative […]
[…]xer/chemical fades; Jim Skipper; Mr Brookes (night manager); Mr Murray started him pos-cutting on nights; Charley Jewel (neg-developer); Fred Harris (grader); grading jobs were like gold dust – needed to be in with the management; George Barker later went to Denham – Len used to drive him when he wa[…]
[…] involved with the Project. Recent interviews include: : Peter Ferrari, Grader at Technicolour/Rank Gavrick Losey, producer (743) Mike Bradsell, editor […]
