Search Results for: Grader

[…] optical work: Gus Holness. Rodney Giesler: And Don Ramsey the grader. And a neg cutter lady called Wardy. I don't […]

[…]ays, everybody was very influenced by UPA, simplicity, simplistic style of animation. And I suppose when I got involved in doing the animator, flower graders, I mean, it was very influential. And that means simple animation, although it did develop more. But I probably found it easier to work on des[…]

[…]d have been able to use that as the reference at all. So other than that it’s kind of just, from the original negative, just kinda letting the colour grader, the colourist, go where the film is taking him in that sense, but… So he didn’t really have to do all that much to make it match the IB Tech p[…]

[…]anything done I’ve never seen… film running all over the bloody place it was amazing how they ever did it. And there was tale about one of the colour graders that had actually been to Ireland to do something and when it was projected the letterbox was green so they re-did it and made it red and of c[…]

[…]mixed onto premixes that were eventually played either on the sixtrack faders in the front console, or from the back through the panels or from sixth graders at the back. Theatre one was still mono that's where I started. I had an old westroads console with three mixers, four faders each and a main […]

[…]e.Rodney Giesler: Alf Dossett I remember.John Legard: And the marvellous man who did the optical work: Gus Holness.Rodney Giesler: And Don Ramsey the grader. And a neg cutter lady called Wardy. I don't remember her full name. She was a lovely lady. Very flirtatious. I knew the route from Endell Stre[…]

[…] AAnd I’ll tell you another thing used to intrigue me because our grading the cards.Y es.Did you ever see those?No, no.The grading cards?No.Well, the grader used to grade the negative and he used to put the grading lights in and you had this card and you had to, you know, it was a big card like that[…]