[…]many studios have closed as skills have been lost; discussion of the labour force, politics and the unions; issues with the Electrical Trades Union – grips were brought in on Ivanhoe.00:17:45 – 00:21:10 Problems with American’s working in the UK adapting to the union rules; American capital has been[…]
[…]ow he was a peculiar chap. He was king there because he had all the big Jessie Matthews pictures and he was as nervous of Victor Saville as any stage grip because Victor Saville... now again I was dead lucky, when Victor Saville first started, he came to Shepherd's Bush and he was producer to Mauric[…]
[…] 44.00) And that was bad enough for us but for grips and electricians having to go to the next job […]
[…] camera man and assistant , sound recordist and assistant, lighting, grip – ‘I want a pan right across their faces’. […]
[…] more people like you know the plasterers, the electricians, the grips, they were always coming in and out, because I […]
[…] heavy American feminism really I haven’t wanted to get to grips with. Name of interviewee DRAFT. Tape 1 Side B […]
[…] down and did it and it wasn't right, it didn't grip you in the theatre so we had to re-cast […]
[…] Alan Lawson: Yes... Cyril Page: and...and you've got a pistol grip, to...sort of hold it like that, and when you […]
[…] it was made by Mitchell. Rodney Giesler : How many grips were needed to handle it - do you remember? […]
[…] by holding it by the genitals in a very firm grip. And that was a terrific programme because, it was […]
