[…]ble EMI reel-to-reel recorder, which was the sort of chunky, about eighteen inches long, chunky dark greenquarter inch recorder, and he added another head which I don’t understand the system toowell, but which recorded the make and break signal, there was a make and break switch in the camera and th[…]
[…] changed a great deal since our day.Carmen Dillon: I think things like when all sorts of types of shapes of things - I don't think really got in your head really solidly, you know, you didn't mind too much. I've no wish at all - I mean well I've stopped for some time - to go back into the film indus[…]
[…]I suddenly got wind, heard of a job over at The Bush for loader clapper you see. So I phoned him up and I got the job, and I did it. I went above the heads of the people running the loading room, which old Brocklebank[?] - he was a nice enough bloke but I knew what he'd do, he'd push somebody else i[…]
[…]dustry. Yeah I I left National Screen service. I think they found me a bit headstrong their own. Way. You think I guess so and they thought it was better&n[…]
[…]." It was about forty thousand or something we wanted, and at that moment the assistant director on the film we were making at that moment popped his head round the door and said, "There's trouble on the floor, will you come down and pacify Cass about something he's run about against something." So […]
[…]p. But the directors then of course knew nothing about the technical side. People like George More O'Ferrall, if things went wrong he used to put his head down and burst into tears and then come up again and said 'It's still going on'. Of course we would be ploughing on with our script and the artis[…]
