Search Results for: Head of BECTU

[…] sale of equipment at Shepherd's Bush and there's one camera head, pan and tilted, that I want, because it's the […]

[…] said what a marvellous notice it was and the studio head said I should bloody well hope so. It cost […]

[…]tive of Unit Sixty Five and let us use their studio at lunchtimes and also let us borrow their film camera from time to time. Jim Harold, who was the head of the audio visual unit let us borrow an Arri  ST and my friend and I at university shot a film for the University Car Club. My cousin was […]

[…]an Simmons.RENÉE GLYNNE: [Laughter] Yes, she was in it. I didn’t know that she wasdoubling for her or ... (TIME 18.01)DARROL BLAKE: Back of head or something? I don’t know.RENÉE GLYNNE: Back of head, yeah, yeah, yeah. It’s a myth or a truth but I didn’t know that. I just knew tha[…]

[…]ight interview – BECTU history project - Interview number 543.Recording 15.05 (AP – anonymous person audience)Interviewer: Cornel we’re here at BECTU headquarters . Thanks for coming to BECTU for this interview.  Maybe I should introduce myself my name is Nigel ArthurCL: My name is Cornel Arthu[…]

[…]; 2AL I wish I could remember the name of the other woman.  She was the important one the other woman.  Freda Lingstrom.  She was Head of Children’s Television at that time.GH I think in fact when we did the Ondine one I think she had left the Beeb.  She was still doing work[…]

[…]t was an interesting experiment. Because when I got to the school there I had to share a dormitory with a lot of little black girls and I said to the headmistress, "Do you think I could sleep in the balcony because I don't like the smell of the black girls." And she said to me, "Let me tell you some[…]

[…]- sixty - oh all those years ago - something like that. And then after a time The Worker's Film Association moved into Transport House, which was the headquarters of the Labour Party and the TUC at that time, in Smith Square. And when we used get in the lift to go up to our office, Herbert Morrison […]

[…]ovies. 'Kissing Cups Race', which was later converted to sound.Roy Fowler: Yes. Who were some of the technicians, then, in the senior positions? Heads of departments?Vernon Sewell: Well Geoffrey Faithfull was a cameraman and his assistant was Arthur Grant, who became quite a good cameraman[…]

[…]f thing? Do they resent competition? No, they didn't resent competition, they just felt that it wasn't very important. You know why they were so far ahead of everybody else. And they had such good products and their service was always very good. That How could anyone else possibly come along? Well, […]