Johnny Goodman

[…] might have been Brian Sewell, the man who was the head of... Alan Sapper: Bernard? Johnny Goodman: Vernon Sewell was […]

Marjorie (Sullivan) Graham

[…]n. And the pitch was fine. We're in the fishing hat in a goon she was just an ordinary bet. sheath with a hole cut in the middle of the put over your head. And he was coming from a long way away. It ran for a minute and 1010 seconds escape. And he did all the ducking into hedges and going dumb pedo,[…]

Russell Galbraith

[…]course, is that it meant that something that was terribly complicated in its way, say filmicly, could be shot by a camera man but if it was a talking head that was gonna run for five minutes, it needed a cameraman, an assistant cameraman, a director, a production assistant, perhaps an electrician, e[…]

Robert Scott

[…]tive of Unit Sixty Five and let us use their studio at lunchtimes and also let us borrow their film camera from time to time. Jim Harold, who was the head of the audio visual unit let us borrow an Arri  ST and my friend and I at university shot a film for the University Car Club. My cousin was […]

Eileen Diss

[…]I did and he got in touch with Roy Oxley2 who had been a fellow art director, now at this time, which by now was 1951 he was at the BBC. Now the head of design there at that time was Peter Bax3 and they, now what happened, oh I think it was the usual thing, they said apply, and fill in the[…]

Johnny Speight

[…]And a few pubs I played in in Canning Town in that area. And then I moved up and got a few gigs and things. I played with Freddie Ba llerini at Maidenhead and a few gigs and a couple of hunt balls and all those kind of things. The kind of work that the top musicians didn't want to do, too much trave[…]
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