Elaine Schreyeck

[…]g to do. Or lying under the, the dining room table, going to sleep and going to work. Because I used to go from Ilford to Liverpool Street on the overhead railway, and then Liverpool Street to Ealing Broadway on the tube and then a number 65 bus to the studio, and that was travelling.How did you est[…]

About the Collection

[…] stored in the BFI with a back-up copy at BECTU’s Head Office. The BFI arranges access to the recordings, and […]

Chris Menges

[…]rmance, and while you’re operating, between and during takes, you understand what coverage might be needed to complete the scene. So you’re actually ahead of everybody else in the sense that you’re seeing the performance on the round glass and you’re working out what you need to cover. In fact, whet[…]

Interview

[…] the common raw material of television, isn't it, really. And er - and where you have got a lot of facts being composed, you generally have a talking head who ,IMDB sort of guiding you through the composition, where tti.e'J viou for obvious technical reasons, we tended fro G to believe that the fact[…]

Roy Fowler

[…]; Well then that’s, that’s the explanation.  Yes, yes. Let’s turn to financial support. We’ve, it’s cropped up under a number of other headings but I wonder if we can turn to outside financial support, not union but to organisations or individuals because you have mentioned individual[…]

Esther Rantzen

[…]e lights and they really did say. Here's one I prepared earlier and went got a nice frozen jaunty snow  out the service? and I came back with my head whirling and I thought well it may not be the fashionable thing to say in radio but that's a world I would love to be part of.Interviewer: S[…]
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