Bernard Gribble

[…]ended to anybody. It was Lewis. Know Lewis from school. Yes famous school in fact. Is it. Yeah. Mm hmm. Oh I can't believe that I had no time for the headmaster or anybody that resisted learning as best I could. I only found interest in learning in about the last year or so of my school life. Up unt[…]

Michael Colomb

[…]encies but usually they let me sleep through it. And on the very I went up knocked on all the doors all the studios I went up to see is it D C Sewell head of sound. The time they were producing the wicked Lady 1946. Mason & Grainger  to Ealing. I didn't even get an interview at Ealing. The […]

Charles Bennett

[…]as a very brilliant woman. The result was that when I did go to a school - St. Mark's College in Chelsea - for about a year, I was top of the school, head of the class in every way. So, obviously she was a better teacher than I could have found anywhere else. That was all. At fourteen I gave up ever[…]

E

[…] production but the title he had then...he was never called Head of Production, he never got the screen credit as […]

Charles Bennett

[…] for about a year, I was top of the school, head of the class in every way. So, obviously she […]

Mat Irvine

[…]ou know, wrote an internal memo, possibly picked up the phone, hey, we'll pre emails anything like that you picked up a phone. And he found that then head of department, Jack Klein, who was one of the cofounders with Bernard Wilkie, both unfortunately, long gone, but they're the ones who created the[…]

Robert Scott

[…]tive of Unit Sixty Five and let us use their studio at lunchtimes and also let us borrow their film camera from time to time. Jim Harold, who was the head of the audio visual unit let us borrow an Arri  ST and my friend and I at university shot a film for the University Car Club. My cousin was […]
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