Search Results for: Head of Drama

[…]the early days. I got quite used to, particularly when I was working with Geoffrey Bell because he used to take a couple of 35ml cans and go roaring ahead of me, sort of theswing doors used to swing back and I’d be standing with about eight cans and a sari, and Iused to wear a sari for the early day[…]

[…]not a particularly good one, called Claysmore...John Legard: In Dorset?Hugh Stewart: Well it is now, but at that time it was near Winchester. And the headmaster was a remarkable character called George Devine, in fact he was the - sorry, Alexander Devine - he was the uncle of George Devine the theat[…]

[…]y more, which I possibly will, I will never have a television monitor on my piano, I will not. I will see the film, I will take it home with me in my head, I will remember the images and the relationship between what I do and the images is vital.JS: So that you are working in a number of dimensions,[…]

[…]enches and fought our own little war just to continue things.SC : After that schooling.CC: Then I went to a school called St Pyrens which is at Maidenhead which was quite an experience. It was meant to be quite an advanced sort of school and it was in some ways because the headmaster didn’t get on w[…]

[…]g to do. Or lying under the, the dining room table, going to sleep and going to work. Because I used to go from Ilford to Liverpool Street on the overhead railway, and then Liverpool Street to Ealing Broadway on the tube and then a number 65 bus to the studio, and that was travelling.How did you est[…]

[…] I knew was the cutting department, which Ian was the head of. I said, "Well I'm very interested in the […]

[…] would… if you had work with Granada, which was being processed at Humphries in Manchester, then if there was a serious problem, and it went over the head of the local lab, then I would go and deal with the Head of Film with a problem. But, I obviously… Humphries closed in ’85 and I went there in ’8[…]

[…]bably the most formidable, Jeremy Spenser, he was always getting the best parts. But that’s how that part of my career began. DB: Then, jumping ahead a bit you went into rep [repertory theatre] in about 1961 I think it was? GG: Well, yes I did. Really what happened was, working at the BBC,[…]